A good short story: greater than the sum of its parts
A short story is a shot of vodka (Chekhov), a love affair to the novel’s marriage (Lorrie Moore), a high wire act (Kevin Barry). It’s a hand grenade, a sprint, a shock, a shiver. There’s something taut, essential, elusive about it. There’s a magic to it, an alchemy. A good short story has to infer the entire and immersive world of a novel, create the same depth of consciousness in its characters, and yet with a mere fraction of the words. It requires the concision of poetry, and maybe the comparison with poetry goes even further: it needs to work on a symbolic plane as well as on the level of the literal narrative.
A good short story needs to be far greater than the sum of its parts, something that unfurls in you after you’ve read it, echoes … Read more