Intimacies — stories worth the wait

Short Stories

Tales about motherhood, injustice and home are pared down to perfection

Barry Pierce,The Sunday Times,

Photo – AKIRA SUEMORI

Lucy Caldwell’s latest collection of short stories, Intimacies, has taken nearly a year to get to us. Originally slated for a June 2020 release, it found itself cast adrift into publishing limbo as the industry floundered in dealing with the pandemic. Thankfully, the wait was more than worth it.

Intimacies, a sort-of sequel to Caldwell’s much-lauded 2016 collection Multitudes, finds the teenage girls of that collection grown into young women in stories linked by motherhood, injustice and the concept of home. Caldwell’s approach to storytelling is very much reflective of the vogue in writing now — stories that stray from overarching narratives and plots in favour of quiet explorations of moments, a preference for tight first-person with little external dialogue, and sparse, fleeting prose that feels pared down to perfection. The result is a collection of stories that feel as delicate as filigree, as if one wrong word would cause the whole story to utterly collapse.

One standout story, Mayday, comes early in the collection. The story takes place in the moments after a woman ingests the abortion pills that she procured illegally online. Stuck in the mind of this woman, we reel through her buzzing brain as she tries to settle down, calm herself and await the grim physical confirmation that the pills have worked. She flashes back to her childhood, synapses snapping to memories of buttered fruit loaf and oatmeal biscuits, a sinister reverend and recollections of Holy Communion aptly appear in her mind’s eye.

One can’t help but think of the protagonist of Anaïs Nin’s story Birth, destroyed by the painful delivery of a stillborn child but feeling freed from everything the pregnancy symbolised. Caldwell’s final lines are a resounding echo of hope. Her protagonist will “be one of the lucky ones. She will. She will.”

Another story in the collection, Jars of Clay, is Mayday’s symbolic sister. It follows a young woman who is part of a Youth Ministry delegation, travelling from the States to Ireland to preach against abortion in the week before the historic Repeal referendum. It is a story that shows Caldwell at her most masterly.

In the hands of a lesser writer the story could easily poke fun at the woman and deride her beliefs. Caldwell instead paints a more real and tragic portrait. We read about her blind faith in her pastor — a classic Yankee evangelical — and the evenings when she practises dealing with the public, where she is thrown questions such as, “What about [abortion] in the case of rape or incest?” and, “What about women’s rights?” and must reel off rote answers as if preparing for an exam. It is a sinister tale, one of the book’s most memorable, and proves Caldwell to be a great chronicler of our recent times.

One of the most interesting aspects of Intimacies is Caldwell’s invocation of women who have, very publicly, been wronged by history. In Words for Things her characters discuss the case of 22-year-old Monica Lewinsky, a woman wrapped up in the most famous affair of the era and who was, of course, almost solely blamed for it. Sinéad O’Connor, vilified for tearing up a picture of the Pope (and eventually proved absolutely correct to have done so), is another of Caldwell’s wronged women.

They join names such as Anna Nicole Smith, Amy Winehouse and Britney Spears, a laundry list of women whose tragic downfalls were documented daily and who ultimately paid the price for merely existing in the public eye. Through Caldwell’s lens these women are rightfully venerated and treated as the cultural icons they are. In her inclusion of these women, there is a sense of Caldwell finally righting a very tired and old wrong.

These 11 stories are sharp and impactful accounts of young women traversing modern life. As a writer she has a glorious skill for creating narratives in which every element works in perfect tandem: the balanced precision of a Calder mobile in literary form. The result is a collection in which there genuinely isn’t a single dud — a minor miracle. Intimacies is a memorable and unmissable book from one of Ireland’s most essential writers.

Intimacies exquisitely charts the steps and missteps of young women trying to find their place in the world. From a Belfast student ordering illegal drugs online to end an unwanted pregnancy to a young mother’s brush with mortality; from a Christmas Eve walking the city centre streets when everything seems possible, to a night flight from Canada which could change a life irrevocably, these are stories of love, loss and exile, of new beginnings and lives lived away from ‘home’.

Taking in, too, the lives of other women who could be guiding lights – from Monica Lewinsky to Caroline Norton to Sinéad O’Connor – Intimacies offers keenly felt and subtly revealing insights into the heartbreak and hope of modern life.


Praise for Intimacies

“These 11 stories are sharp and impactful accounts of young women traversing modern life. As a writer she has a glorious skill for creating narratives in which every element works in perfect tandem: the balanced precision of a Calder mobile in literary form. The result is a collection in which there genuinely isn’t a single dud — a minor miracle. Intimacies is a memorable and unmissable book from one of Ireland’s most essential writers.” (read full review)
Barry Pierce, The Sunday Times

“…every one of these stories is faultless. There is a stunning, original talent at work here: a sharp political mind, a precise observational eye, and an extraordinary capacity for empathy. […] This is something like the effect that Caldwell achieves in her stories. She makes us feel the hidden rivers running beneath our ordinary lives. These spare 156 pages contain, if you’ll pardon the allusion, multitudes.”
Irish Independent (read full review)

“One of the truest short story writers we have. With Intimacies she makes the short story her own. Imaginatively, emotionally, even formally, the stories contained here take her work to a new pitch of achievement. I can think of no more complete collection. Read. Read again. Remember now and then to breathe.”
Glenn Patterson

“Beautifully illuminative of women’s lives today. This is work of the highest quality which enlightens and enriches the heart.”
David Park

“Caldwell writes with such sensitivity and humanity, and always encourages us to rethink what we already know.”
Elif Shafak

“Caldwell explores what it means to be a woman with devastating honesty, warmth and compassion. She manages to get underneath the skin of her characters exploring situations which are unique, yet heartbreakingly familiar.”
Jan Carson

Exquisite
The Bookseller

“The book I relate to most. I read it shortly after the birth of my second child, and I felt an immediate affinity with the violent emotions of new motherhood that she describes.”
Pandora Sykes

‘Precise and beautifully controlled fictions but with strange, wild energies pulsing along just beneath the surface. A tremendous collection.’
Kevin Barry, author of Night Boat to Tangier

‘Heart-stoppingly good.’
Lisa McGee,
writer and creator of Derry Girls


Reading & Interview

Lucy Caldwell talks to Dr Caroline Magennis and reads from Multitudes and Intimacies


Further Reading

Multitudes: a post-Troubles, cliché-free, intimate portrayal of Northern Ireland

Lucy Caldwell’s short story collection Multitudes occupies a unique place within the Northern Irish literary canon. It will doubtless be of interest to readers of contemporary fiction, the short story and women’s writing.

photo by Eamonn Doyle

The stories focus on the theme of coming-of-age and have associations with Northern Ireland, but they are a steep departure from both Caldwell’s earlier fiction and previous Troubles writing by women. The conflict isn’t foregrounded but is barely there, in traces rather than as a narrative catalyst or backdrop. The stories take place at various times: broadly from the 1990s to the contemporary moment, and are dense in both nostalgic detail and an acute eye for the violence of adolescence and the complex process of negotiating a burgeoning sexuality.

Northern Irish fiction has often been squeamish about questions of sexuality, often using intimate encounters as metaphors for political life. Caldwell’s representation of sex has always deviated from these tired tropes, such as the “sexy widow” who initiates a young man or the cross-community affair which carries the weight of the conflict on its bare shoulders. Instead, she brings to the fore smaller and more complex moments. (read the full article at the Irish Times)

Intimacies

Short Stories

From Belfast to London and back again the ten stories that comprise Caldwell’s first collection explore the many facets of growing up – the pain and the heartache, the tenderness and the joy, the fleeting and the formative – or ‘the drunkenness of things being various’. Stories of longing and belonging, they culminate with the heart-wrenching and unforgettable title story.

Multitudes is the beautiful debut story collection from the acclaimed, prize-winning novelist and playwright Lucy Caldwell

Praise for Multitudes

‘Beautifully crafted, and so finely balanced that she holds the reader right up against the tender humanity of her characters.’ 
Eimear McBride

‘A writer of rare elegance and beauty, Caldwell doesn’t just get inside her characters’ minds. She perches in the precarious chambers of their hearts, telling their stories truthfully and tenderly.’ 
Independent



Further Reading

The world I move through is magnified, made magic, by Lucy Caldwell’s words

Glenn Patterson evokes the world that his fellow East Belfast author conjures up so well in her short story collection, Multitudes

Photograph: Dara Mac Dónaill

The Silver Leaf Café is under new management. The Silver Leaf Café has dropped the Café. And the The.

“Silver Leaf” is all the sign says now. Well, that and “Fish & Chips”, and “Tradition & Quality”.

Actually, it’s a wonder there was ever room for the Café and the The.

Silver Leaf has a competitor 50 yards up the Belmont Road in the Bethany, which shares a name with the Biblical home of Lazarus and his sisters Mary and Martha, whether pointedly or not is hard to determine, though perhaps not so hard here in east Belfast as in other places: the café facing the Silver Leaf is owned by the Christian Fellowship Church (“we do life”), which wraps around the corner of the Belmont Road and the Holywood Road, and which also owns Eden, formerly Eat Etc, half a dozen doors along.

Eden Bridal, directly opposite that, is, I am pretty sure, unconnected. What would that look like anyway, a born-again wedding gown? The same, only more so?

I don’t know where Silver Leaf comes from. There’s a Maple Leaf club around the corner and down Park Avenue – along the side of the Strand Cinema and Arts Centre – to which I came with my parents (the Maple Leaf, that is) throughout the first half of 1971 to pay the monthly instalments on our family holiday to Toronto. Elsewhere in Ontario, elsewhere in that now-gone century, a Silver Leaf Café was listed at 116 South Main in the Ottawa City Directory in 1921 and there is a Silver Leaf Café still at 4101 Decoursey Avenue, Covington, Kentucky: “cheap and easy drinking”, the ad says, “made as plain and simple as can be”.

You couldn’t accuse them of building up expectations.

The ad doesn’t say whether or not they cut their own chips on Decoursey Avenue, as they do in the Belmont Road Silver Leaf. And yes, I know chips means something else over there. Over here, chips undergo a strange grammatical transformation once they are wrapped in paper, passing from the plural to the singular: “a gravy chip” is, in fact, heaps. Half a gravy chip would do you rightly.

You could start your Silver Leaf chip – “just leave that paper open, thanks” – the moment you walked out the café door and still not have finished by the time you arrived, by way of Dundela Avenue and North Road, at the top of Cyprus Avenue (whose trees seem as deliberately aligned as the stones at Newgrange to capture and hold the sun), or – ignoring the Dundela Avenue turn-off – by the time you reached Cairnburn Park, where the Belmont Road crosses over the A55 Outer Ring on its way to the Craigantlet Hills and out of the city altogether.

This, with the Upper Newtownards Road running parallel, with the Kings Road and Cherryvalley, constitutes the heartland of Lucy Caldwell’s Multitudes: Belfast’s “Upper East Side” as the mother in Chasing assures her homecoming daughter it is now referred to. And of course none of it need exist at all for the stories in the collection to work, for them to achieve their astonishing sense of place. That the reader believes it exists for the characters, gives definition to their lives, is enough.

Although don’t tell that to my daughters, whose hearts would acquire a chip-shaped hole if Silver Leaf (silent Café, silent The) were to be theorised out of existence. What am I saying? My daughters’ hearts? My heart: and stomach too.

And if I am truthful I feel – as I have felt repeatedly over the years hearing Van Morrison invoke Cyprus Avenue – that the physical world I move through is magnified, made magic even, by the touch of Lucy Caldwell’s words.

“That night,” says the narrator of Here We Are, “I walked the streets of East Belfast again in my dreams. Waking, the dream seemed to linger far longer than a mere dream. These streets are ours.”

She’s only partly right. Thanks to Lucy Caldwell they are everyone’s who picks up this book: are multitudes’.

(read the full article at the Irish Times)

Multitudes

Short Stories

Following her own brilliant short story collection Multitudes, Lucy Caldwell guest edits the sixth volume of Faber’s long running series of new Irish short stories, continuing the great work started by the late David Marcus and subsequent guest editors Kevin Barry, Deirdre Madden and Joseph O’Connor.

Eimear McBride, Kit de Waal and Sally Rooney are among the writers to feature in  Being Various: New Irish Short Stories, which brings together new stories from Ireland’s current golden age of writing and features newly commissioned works from writers including Louise O’Neill, Paul McVeigh, Kevin Barry, Lisa McInerney and Arja Kajermo.

Caldwell said: “Being Various has a brilliant array of writers making waves in the twenty-first century, from lauded names to newcomers ranging from their twenties to their sixties; Irish by birth, by parentage, or residence.”

Being Various: New Irish Short Stories is published on May 2, 2019

Being Various: New Irish Short Stories

News, Short Stories

Penguin Book of the Contemporary British Short Story

News, Short Stories

Lucy Caldwell is among the authors selected for the new anthology, The Penguin Book of the Contemporary British Short Story, “a literary treasure trove” of “30 great short stories published in the last 20 years”,.

The anthology has been edited and curated Philip Hensher who – following on from two-volume collection The Penguin Book of the British Short Story published in 2015 – has returned to the archive, reading hundreds of “contemporary” short stories to make his selection.

The other writers whose stories have been included are Kazuo Ishiguro, Ali Smith, A L Kennedy, Tessa Hadley, Graham Swift, Jane Gardam, Neil Gaiman, Martin Amis, China Mieville, Peter Hobbs, Thomas Morris, David Rose, David Szalay, Rose Tremain, Helen Oyeyemi, Leone Ross, Helen Simpson, Will Self, James Kelman, Lucy Wood, Hilary Mantel, Eley Williams, Sarah Hall, Mark Haddon and Helen Dunmore.

The Penguin Book of the Contemporary British Short Story will be published by Allen Lane on 4th October 2018 as a £20 hardback.

 

Glass-Shore_Art2New Island is delighted to announce the forthcoming publication of The Glass Shore: Short Stories by Women Writers from the North of Ireland, edited by Sinéad Gleeson.

Last year saw the publication of The Long Gaze Back: An Anthology of Irish Women Writers, edited by Sinéad Gleeson. was widely acclaimed and went on to win Best Irish Published Book of the Year 2015 at the Irish Book Awards. More importantly, it sparked lively discussion and debate about the erasure of women writers from literary canon. One question kept arising: where was the equivalent anthology for women writers from the north?

Spanning three centuries, The Glass Shore will feature both writers that are emerging and established, alongside deceased luminaries and forerunners.

The collection will include work from Linda Anderson, Margaret Barrington, Mary Beckett, Caroline Blackwood, Lucy Caldwell, Ethna Carbery, Jan Carson, Evelyn Conlon, Anne Devlin, Martina Devlin, Polly Devlin, Erminda Rentoul Esler, Sarah Grand, Rosemary Jenkinson, Sheila Llewelyn, Bernie McGill, Alice Milligan, Rosa Mulholland, Anne-Marie Neary, Mary O’Donnell, Roisín O’Donnell Tara West, Una Woods

More information at New Island Website.

The Glass Shore

News, Short Stories

Granta 135: New Irish Writing

News, Short Stories

Granta New Irish WritingGranta 135 is a snapshot of contemporary Ireland, which shows where one of the world’s most distinguished and independent literary traditions is today. Here international stars rub shoulders with a new generation of talent from a country which keeps producing exceptional writers.

This issue features Lucy Caldwell imagining forbidden first love in Belfast; Kevin Barry on Cork, ‘as intimate and homicidal as a little Marseille’; an exclusive extract of Colm Tóibín’s next novel, about growing up in the shadow of a famous father; fiction from Emma Donaghue about Victorian Ireland’s miraculous fasting girls; and Sara Baume describing the wild allure and threat of the rural landscape.

Also featuring fiction from Colin Barrett, John Connell, Mary O’Donoghue, Roddy Doyle, Siobhán Mannion, Belinda McKeon, Sally Rooney, Donal Ryan and William Wall; poetry from Tara Bergin, Leontia Flynn and Stephen Sexton; photography by Doug DuBois, Stephen Dock and Birte Kaufmann; with original portraits of the authors in their environment by acclaimed street photographer Eamonn Doyle.

Buy the issue here.